MUSIC: Review: John Mayer, “Battle Studies”

John Mayer is seriously studying his numerous battles, including a particularly nasty one with his hairdo.
Poison gas clouds, a profusion of explosions, people getting assassinated — such is the imagery John Mayer invokes on his latest release, Battle Studies. What could cause these scenes of terror and confusion? The answer appears to be love.
At age 32, Mayer has apparently amassed enough experiences in courting women to corroborate Pat Benatar’s assertion that love is, indeed, a battlefield. And now he has graciously decided to pass the wealth of knowledge he’s gained from studying this battle on to us, his listeners. And so springs forth John Mayer’s first themed album — every track but one (a cover of Cream’s 1968 hit “Crossroads”) is exclusively a love song. Or more appropriately, each is a song about love.
I don’t pretend to be a professional music critic, but I am a colossal fan of John Mayer. This acquaintance with his music leads me to these observations of his latest work:
Battle Studies is not Continuum. Fresh off the John Mayer Trio blues binge, Continuum was principally a guitar rock album, with lyrical content providing the garnish. At first glance, Battle Studies appears to be just the opposite. What remains unclear is exactly which direction away from Continuum Mayer seems to be going musically. At times, Studies feels like the late ’80s, and at others it could easily be featured on Country Music Television. For now, he seems content to displace his label as guitar virtuoso, putting emphasis almost exclusively on lyrical content. Even on “Crossroads,” a blues classic, Mayer resists the urge to flex his guitar muscle, laying down an extremely tame solo partway through. (Instead, he opts to record the song through a bizarre effect pedal, making it sound like the title music to “Contra” for the NES).
Mayer appears to still be concerned with commercial success. Don’t let the extended title to “Half of My Heart” fool you — the song most definitely does not feature Taylor Swift. Unless singing four words over again for a total of ten seconds constitutes “featuring” an artist. What is more likely is that Mayer agreed to “collaborate” because Swift is surging in the music scene with a fan base that actually purchases music. Simply having Swift’s name on the track automatically means a greater volume of record sales. It may be just as well though, since the song sounds like the music video should be set in a high school hallway during class change.


